today: speculative letterforms made from stitching together top/bottom halves of randomly rotated letters (I have more ambitious ideas for this, just trying to do some foundation work today) https://mastodon.social/media/IqrbvTrThNYXQkt8jrs
again building off the same code, a matrix showing all possible halfway-interpolations between points in the letters (i.e., top row is (A+A)/2, (A+B)/2, (A+C)/2, etc.) (matrix is not symmetric because letters have different numbers of points)
aw francis tseng talking about mastodon in the past tense at #cybercon š ("it was kind of a flash in the pan") (don't worry i spoke up and told the crowd that mastodon is alive and well and very good)
"procedurally-generated" here in the broadest possible understanding (i.e., produced according to a system of rules to fit a constraint)āthe artifacts themselves aren't necessarily computer-generated in the strictest sense.
it's becoming very clear that it's a privilege to have the literacy and time needed to distinguish between meaningful, genuine content and spam/troll trashāa privilege being systematically denied to some people for political reasons
this whole line of reasoning explains why recent advances in creative computation with AI/ML are always framed as tools to augment or replace artists: it's an attempt to (further) reframe art as a kind of knowledge work which (like a bookkeeper or a secretary) can ultimately be replaced with automation.