Sheldon from The Big Bang theory behaves in a way that you might call ambiguously camp. He's played that way because he's meant to be a dork, but had they rewritten him as gay, they would barely need to change anything else.
The camp phenomenon fascinates me somewhat, because it gets its appeal from being so bad that it goes full circle and becomes enjoyable by virtue of how bad it is.
If you take that as a definition of camp, Austin Powers and The Producers are extremely camp films.