Kraftwerk once described themselves as "German industrial folk musicians". I find that description to be very apt. Embrace the machines, the concrete and the robots, and enjoy them in a simple manner.
With very minor modifications of and the removal of the vocals, this old Kraftwerk track is basically a hip-hop track.
Later remasters of the song bring it even closer, but they are worse revisionists than George Lucas, so you have to hunt down older releases of their material before you make any statements about them.
They probaby like to cultivate the image that they were ahead of their time, thus why their modernised rereleases are rarely explicitly labeled as such.
Listening to Kraftwerk is always a stark reminder of how influential they still are. I'm listening to this and it sounds like trap, dubstep or hip-hop mixed with vapourwave, and the truth is of course that they all heavily borrowed from Kraftwerk. It's widely known that the house scene in Detroit pretty much erupted because Kraftwerk came there to play a concert, and black musicians realised it was possibly to be funky in a highly unfunky way.
@jk Wait, someone named a synth GRANDMOTHER? As in the grandmother of all synths? Or just a cute granny synth that you play in your rocking chair in front of the fireplace with a cat on your lap?
@cocoron Also, intersectionality is inconvenient. Instead of being able to draw attention to yourself as uniquely oppressed, you are suddenly just one of many voices competing for attention. Taken to its extreme, everyone belongs to a minority of some kind. There are also minorities that are openly and willfully oppressed and few are willing to defend because everyone else perceives their behaviour as sick and harmful (paedophiles), but that subject is a whole other barrel of dynamite...
The Guardian UK, despite its Leftist trappings, is absolutely at the top rung of cultural institutions in the United Kingdom. Its flavour of Feminism is is composed of women who are firmly within the socio-economic elite and who are invited to write for them: baronesses, MPs, party leaders, top selling authors, major journalists. I don't know many British trans women who fit into this category (yet).
This doesn't just stop at Feminism, either. Other areas of social justice such as race, ecology, disability, health and even economic issues are overwhelmingly represented by voices in them which are well off, educated and au fait with British cultural institutions (newspapers, television, universities, etc).
Classist attitudes spreads through every aspect of political and social life in the UK like a disease.
This obviously is not to deny the existence of the many good Feminist movements and individuals who don't fit into this elite group, but this is the problem: They are very rarely given a voice in the UK. Trans, queer, black and brown and especially working class Feminist voices in the UK are very rarely given a platform. The face of Feminism in the UK is white, middle class, middle aged and cishet.
I am 100% certain that a large part of the TERF attitudes that seems to characterise a lot of mainstream Feminism comes from British (English) fixations on class.
Compared to other countries Britain experiences next to no social movements which are grassroots. Social progress in the United Kingdom is expected to be spearheaded by the upper class and their cultural institutions. Platforms for Feminist discourse in the UK is almost entirely given to wealthy, privileged white cis women.
@cocoron What you say about British feminism is also extremely true of Scandinavia. Feminism is establishment politics, female prime ministers are the new normal, and half the parliament are women. Also, some teenagers are saying very sexist things because they know it'll provoke their parents. Immigration/religion also gets a say, but it's always the same people, typically descendents of Pakistanis who have joined the political establishment and are so moderate as to be Muslims in name only.
The difference between the US Guardian and the UK Guardian editors on trans rights is reflective of the difference between American and British Feminism at this moment in time.*
Feminism in the US seems to be (sometimes) moving towards an intersectional perspective that incorporates voices across the range on issues like class, race, and ecology.
British Feminism is extremely institutional, and is dominated by privileged women like Germaine Greer and JK Rowling.
@cocoron This is why right wing populism is so, uh, popular. Politics and public discourse are dominated by toffs, and that applies to every developed country. The aristocracy of 19th century Europe has been reinstated. It just has a different name now.
If history truly does repeat itself, we are about to have a war or a revolution.
@Algot It's a box for gamers. It combines two 5.1 signals (such as two computers) into a single 5.1 signal for feeding into a shared input (such as a 5.1 speaker system). It allows you to control the volumes and monitor them on a front panel display with buttons. It's also fairly specific. All the generic problems has already been solved by the big name brands.
@Algot I think I have a couple of audio circuits that I could probably touch up and order some boards for, but they have rather specific applications. One of them is for connecting a lapel microphone to the line input of an computer audio interface or a mixing desk, the other is for connecting an electric guitar or bass to the microphone input of a mixing desk or computer audio interface. Musician's tools. My only consumer facing design today is the project I'm designing right now.